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Cultural artifact is a more generic term and should be considered with two words of similar, but narrower, nuance: it can include objects recovered from archaeological sites, i.e. archaeological artifacts, but can also include objects of modern or early-modern society, or social artifacts.
In archaeology, the word has become a term of particular nuance; it is defined as an object recovered by archaeological endeavor, including cultural artifacts (of cultural interest). "Artifact" is the general term used in archaeology, while in museums the equivalent general term is normally "object", and in art history perhaps artwork or a more ...
Processualists, and other subsequently critics of cultural-historical archaeology argued that archaeological culture treated culture as "just a rag-tag assemblage of ideas." [13] Archaeological culture is presently useful for sorting and assembling artifacts, especially in European archaeology that often falls towards culture-historical ...
Cultural property includes the physical, or "tangible" cultural heritage, such as artworks. These are generally split into two groups of movable and immovable heritage. Immovable heritage includes buildings (which themselves may include installed art such as organs, stained glass windows, and frescos), large industrial installations, residential projects, or other historic places and monum
Culture (/ ˈ k ʌ l tʃ ər / KUL-chər) is a concept that encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, attitudes, and habits of the individuals in these groups. [1] Culture often originates from or is attributed to a specific region or ...
Cultural heritage has been described as the 'most distinguishing form of a culture's expression' and includes both tangible and intangible elements such as 'traditional dances, customs and ceremonies'. [10] Cultural property is the essential elements of a culture that allow it to determined and identified. [10]
Cultural identities are dynamic, inter-related and overlapping, so no modern nation-state can claim cultural property as their own without promoting a sectarian view of culture. [ 72 ] Having artwork disseminated around the world encourages international scholarly and professional exchange.
The timeline of the culture of the Sanxingdui site is thought to be divided into several phases. The Sanxingdui culture that corresponds to periods II-III of the site, was a mysterious civilization in southern China. [29] This culture is contemporaneous with the Shang dynasty, but it developed a different artistic style of bronze-making from ...