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2. Aeolian mode - Wikipedia

   en.wikipedia.org/wiki/Aeolian_mode

   The Aeolian mode is the sixth mode of the major scale, that is, it is formed by starting on the sixth degree of the major scale. For example, if the Aeolian mode is used in its all-white-note pitch based on A, this would be an A-minor triad, which would be the submediant in the relative major key of C major.

3. Mode (music) - Wikipedia

   en.wikipedia.org/wiki/Mode_(music)

   In the late-18th and 19th centuries, some chant reformers (notably the editors of the Mechlin, Pustet-Ratisbon , and Rheims-Cambrai Office-Books, collectively referred to as the Cecilian Movement) renumbered the modes once again, this time retaining the original eight mode numbers and Glareanus's modes 9 and 10, but assigning numbers 11 and 12 ...

4. Minor scale - Wikipedia

   en.wikipedia.org/wiki/Minor_scale

   Within the diatonic modes of the major scale, in addition to the Aeolian mode (which is the natural minor scale), the Dorian mode and the Phrygian mode also fall under this definition. Conversely, the Locrian mode has a minor third, but a diminished fifth (thus containing a diminished triad ), and is therefore not commonly referred to as a ...

5. Hypoaeolian mode - Wikipedia

   en.wikipedia.org/wiki/Hypoaeolian_mode

   Hypoaeolian mode on A Play ⓘ.. Hypoaeolian mode, literally meaning "below Aeolian", is the name assigned by Henricus Glareanus in his Dodecachordon (1547) to the musical plagal mode on A, which uses the diatonic octave species from E to the E an octave above, divided by the final into a second-species fourth (semitone–tone–tone) plus a first-species fifth (tone–semitone–tone–tone ...

6. Aeolian dominant scale - Wikipedia

   en.wikipedia.org/wiki/Aeolian_dominant_scale

   The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode .

7. Heinrich Glarean - Wikipedia

   en.wikipedia.org/wiki/Heinrich_Glarean

   The additional four modes included authentic and plagal forms of Aeolian (modes 9 and 10) and Ionian (modes 11 and 12) — the modes equivalent to minor and major scales, respectively. Glarean went so far as to say that the Ionian mode was the one most frequently used by composers in his day. [8] The influence of his work was immense.

8. Gregorian mode - Wikipedia

   en.wikipedia.org/wiki/Gregorian_mode

   A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...

9. Aeolian processes - Wikipedia

   en.wikipedia.org/wiki/Aeolian_processes

   Wind erosion of soil at the foot of Chimborazo, Ecuador Rock carved by drifting sand below Fortification Rock in Arizona (Photo by Timothy H. O'Sullivan, USGS, 1871). Aeolian processes, also spelled eolian, [1] pertain to wind activity in the study of geology and weather and specifically to the wind's ability to shape the surface of the Earth (or other planets).