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The final design of the dress was kept secret, although much speculation surrounded it. It was said the princess feared that if details were published fashion house copies would make it impossible for her to make last-minute design alterations. [11] The dress was taken to the palace a day before the wedding in a 4-foot (1.2 m) box.
He presented finished model designs to clients and dress buyers in similar fashion to the modern-day haute couture designer, also using live models. [27] Worth was also the first designer to label his clothing, sewing his name into each garment he produced - the first distinct brand logo on clothing.
A colourfully decorated classical ballet tutu, on a dress form. A tutu is a dress worn as a costume in a classical ballet performance, often with attached bodice. [1] It may be made of tarlatan, muslin, silk, tulle, gauze, or nylon. Modern tutus have two basic types: the Romantic tutu is soft and bell-shaped, reaching the calf or ankle; the ...
The dress featured "lace flounces adorning neckline and sleeves". [8] A replica of the dress at West Edmonton Mall, in Edmonton, Canada, in 2013. Fittings of the dress posed difficulties because Diana had developed bulimia and dropped from a size 14 to a size 10 in the months leading up to the wedding. Even the seamstress was concerned about ...
Wedding dress worn by Margaret Whigham, later the Duchess of Argyll, for her marriage to Charles Sweeny in 1933. Silk satin and tulle embroidered with glass beads with a 2.6 metres (8.5 ft) train. An early example of a dress designed for a single occasion, rather than repeated use. V&A Museum.
Tulle is often used as an accent, to create a lacy, floating look. Tulle may also be used in underskirts or petticoats to create a stiff belled shape. Gowns are often puffed out with the use of several layers of stiff tulle. Tulle netting is also used to make veils, since it obscures the features of the face while allowing the wearer to see out ...
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