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Early sonata for violin and piano; Sonata No. 1 for violin and piano, 1921; Sonata No. 2 for violin and piano, 1922; Sonata for solo violin, 1944; Arnold Bax. Violin Sonata in G minor (1901) (recently recorded on ASV but a rarity) Sonata No. 1 in E major, first version 1920/1, revised 1945 (, ) Sonata No. 2 in D major, 1915/1921 ()
Leopold Stokowski made a large number of transcriptions for full orchestra, including the Toccata and Fugue in D minor for organ, which appeared in the film Fantasia and the Little Fugue in G minor. Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a.
Patriotic and parlour songs, piano pieces, sacred music, and novelty numbers published from before 1900 to 1920. Includes Canadian imprints and music by Canadians or about Canada published anywhere in the world. Library and Archives Canada: The Library of Congress: Historic American Sheet Music: 1850–1920: American: 3,042
Sinfonia Concertante, for violin and piano (1982) Giovanni Bottesini. Gran duo Concertante, for violin and double-bass; Ludwig van Beethoven. Triple Concerto in C major, Op. 56, for piano, violin, and cello (1804–5) Johannes Brahms. Double Concerto in A minor, Op. 102, for violin and cello; Peter Maxwell Davies
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
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Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis (Nos. 525-771).
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