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Stranger Music is a 1993 book by Leonard Cohen. It compiles many of his published poems , as well as the lyrics to his songs. In the "A Note On The Text" section of the book it states: In some sections of this book, certain poem titles and texts have been altered from their original publication.
Dress forms of 1893. A dress form is a three-dimensional model of the human torso used for fitting clothing that is being designed or sewed.When making a piece of clothing, it can be put on the dress form so that one can see the fit and drape of the garment as it would appear on a body and make adjustments or alterations.
A bustle is a padded undergarment or wire frame used to add fullness, or support the drapery, at the back of women's dresses in the mid-to-late 19th century. [1] [2] Bustles are worn under the skirt in the back, just below the waist, to keep the skirt from dragging. Heavy fabric tended to pull the back of a skirt down and flatten it.
As the society of consumerism evolved, the roles of men and women changed and so did their dress. In the mid-19th century, the fashionable silhouette was a small waist with large, dome-shaped skirts. [2] More and more petticoats were added to make the skirts appear even larger.
On the season four premiere of "My Big Fat American Gypsy Wedding," dress designer extraordinaire Sondra Celli made history by creating the biggest, fattest wedding dress the show has ever seen.
Kinderwhore fashion is based around a childlike fashion silhouette and accessories in combination with punk fashion's "rips and tears". [1] Common items include torn, ripped tight or low-cut babydoll and Peter-Pan-collared dresses, slips, knee-socks, heavy makeup with dark eyeliner, [2] slip dresses, ripped tights, bleached hair, smudged red lipstick, [1] lingerie, cardigans, [3] barrettes ...
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In 2012, Rolling Stone ranked the album no. 295 on its list of the 500 Greatest Albums of All Time list, [10] being the only Cohen album to make the list until Songs of Leonard Cohen reached No. 195 on the 2020 reissue, an edition the album failed to make. [11] It was ranked no. 74 on Pitchfork Media's 2004 list of the 100 best albums of the ...