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Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling. [2]
Pages in category "Poetic devices" The following 49 pages are in this category, out of 49 total. This list may not reflect recent changes. ...
There are 107 classes of animals in 33 phyla in this list. However, different sources give different numbers of classes and phyla. For example, Protura, Diplura, and Collembola are often considered to be the three orders in the class Entognatha. This list should by no means be considered complete and authoritative and should be used carefully.
Synecdoche – A literary device, related to metonymy and metaphor, which creates a play on words by referring to something with a related concept. For example, referring to the whole with the name of a part, such as "hired hands" for workers; a part with the name of the whole, such as "the law" for police officers; the general with the ...
In rhetoric, chiasmus (/ k aɪ ˈ æ z m ə s / ky-AZ-məs) or, less commonly, chiasm (Latin term from Greek χίασμα chiásma, "crossing", from the Greek χιάζω, chiázō, "to shape like the letter Χ"), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words".
Consonance is a broader literary device involving the repetition of consonant sounds at any point in a word (for example, coming home, hot foot). [24] Alliteration can then be seen as a special case of consonance where the repeated consonant sound opens the stressed syllable. [25]
This list of fictional rodents in literature is subsidiary to the list of fictional animals and covers all rodents appearing in printed works of literature including beavers, chipmunks, gophers, guinea pigs, hamsters, marmots, prairie dogs, and porcupines plus the extinct prehistoric species (such as Rugosodon).
Enjambment has a long history in poetry. Homer used the technique, and it is the norm for alliterative verse where rhyme is unknown. [9] In the 32nd Psalm of the Hebrew Bible enjambment is unusually conspicuous. [10] It was used extensively in England by Elizabethan poets for dramatic and narrative verses, before giving way to closed couplets.