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Who Put the Bomp was a rock music fanzine edited and published by Greg Shaw from 1970 to 1979. [1] [2] Its name came from the 1961 hit doo-wop song by Barry Mann, "Who Put the Bomp". Later, the name was shortened to Bomp! Bomp!, and extended by Shaw to the record label Bomp! Records, which he headed until his death in 2004. [3] [4]
AIP Records also issued numerous CDs in the English Freakbeat series and Pebbles series, with the first 6 Pebbles volumes being basically the same as the LPs, with bonus tracks. The 6th Pebbles album was reissued more appropriately as the 6th CD in the English Freakbeat series , since this LP also featured British music.
A few months after the breakup, the band had to reunite to record a live album and thus fulfill their contractual obligations. To exact revenge on the label, Bators purposely sang off mic and the resulting recording was unusable. When the material eventually surfaced on Bomp! Records, Bators had re-recorded the vocals in a studio. They booked a ...
Records albums, as well as subcategories containing those things (themselves set categories). Topics about Bomp! Topics about Bomp! Records albums in general should be placed in relevant topic categories .
The band continued to play live and record new songs for their major label debut and were a top live club draw outside of Los Angeles, touring with Nina Hagen, and performing on bills with such acts as Iggy Pop, The Fuzztones, The Beat Farmers, Johnny Thunders, The Alarm, Madness, The Blasters, and The Cramps. The music video for "Stop ...
The Weirdos' first release was a 7-inch EP, "Destroy All Music," released in 1977 on Greg Shaw's Bomp! Records. [3] It was followed by the 1978 single "We Got the Neutron Bomb," released on the Los Angeles punk label Dangerhouse. [3] The band later released two 12-inch EPs in 1979 and 1980.
In 2008, Alive Records released One Way Ticket, a CD compilation of the remastered tracks of the Nerves' original EP, along with demos and other previously unreleased material. Following the success of The Nerves' CD reissue, Alive Records released The Breakaways , an album of post-Nerves recordings featuring Collins and Case prior to the ...
Kill City has been generally well received by critics.Nick Kent of New Musical Express called it "a great album". [15]Mark Deming of AllMusic called the album "a minor triumph", writing: "The music is more open and bluesy than on Raw Power, and while Williamson's guitar remains thick and powerful, here he's willing to make room for pianos, acoustic guitars and saxophones, and the dynamics of ...