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Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period , and was followed in turn by the Classical period after a short transition (the galant style ).
In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music.Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Florentine Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the ...
In 1777, Joseph Haydn's opera "Il mondo della luna"("The world on the moon") premiered. Author and classical music critic David Hurwitz describes Joseph Haydn's choral and chamber orchestra piece, The Creation, composed in 1798, as space music, both in the sense of the sound of the music, ("a genuine piece of 'space music' featuring softly pulsating high violins and winds above low cellos and ...
Musica universalis—which had existed as a metaphysical concept since the time of the Greeks—was often taught in quadrivium, [8] and this intriguing connection between music and astronomy stimulated the imagination of Johannes Kepler as he devoted much of his time after publishing the Mysterium Cosmographicum (Mystery of the Cosmos), looking over tables and trying to fit the data to what he ...
Luigi Rossi (1597–1653) Luigi Rossi (c. 1597 – 20 February 1653) was an Italian Baroque composer.Born in Torremaggiore, a small town near Foggia, in the ancient kingdom of Naples, at an early age he went to Naples where he studied music with the Franco-Flemish composer Jean de Macque, organist of the Santa Casa dell’Annunziata and maestro di cappella to the Spanish viceroy.
The Baroque (UK: / b ə ˈ r ɒ k / bə-ROK, US: /-ˈ r oʊ k /- ROHK; French:) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. [1]
He believes that playing this style should be like singing and playing at the same time, more improvised rather than just playing the notes on the score. As Frescobaldi mentioned in his book " Toccate e partite d’intavolatura di cimbalo " (Toccatas and Partits Scored for Harpsichord, Book 1, 1616), players should not play strictly according ...
Leonardo Vinci (1690 – 27 May 1730) was an Italian Baroque composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. [1] A central proponent of the Neapolitan School of opera, [2] his influence on subsequent opera composers such as Johann Adolph Hasse and Giovanni Battista Pergolesi was considerable.