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The ivory's history between then and 1625 is unknown – in that year it was offered by the leading antiquary Nicolas-Claude Fabri de Peiresc to the Papal legate Cardinal Francesco Barberini in Aix-en-Provence, becoming part of the Barberini collection in Rome. Peiresc mentions it specifically in a letter to his friend Palamède de Vallavez ...
He has taught at Penland School of Crafts and Pilchuck Glass School (1974–1988). [3] He has two children, Marina and Dante, both of whom are artists. Marina is a jewelry maker and Dante is a glassblower. [2] In 1998, Marioni and his son presented a feature exhibition of their glass at the Fresno Art Museum in California. [4]
Pauly & C. - Compagnia Venezia Murano is one of the oldest glass factories of Murano: it was founded more than 150 years ago. The company produces glass art, [1] most notably Roman murrine, mosaics and chandeliers. The company was formed in 1919 by a merger of Pauly & C (founded in 1902) and the Compagnia di Venezia e Murano (founded in 1866).
Thanks to more than 150 artworks from their 4,000-piece collection, the Baroque institution has never looked fresher.
He was not only considered and artist but a scientist. The company became Ferro Toso Vetrerie Artistiche Riunite S.A in 1936 when Vetreria Artistica Barovier merged with Ferro Toso, specializing in crystalline glass, mother-of-pearl glass, and gold-free cornelian red glass.. In 1942, the company was renamed Barovier & Toso. [8]
Ewer made by Salviati & Co, now in Walters Art Museum.. A family called Salviati were glass makers and mosaicists in Murano, Venice and also in London, working as the firm Salviati, Jesurum & Co. of 213 Regent Street, London; also as Salviati and Co. and later (after 1866) as the Venice and Murano Glass and Mosaic Company (Today Pauly & C. - Compagnia Venezia Murano).
The Museum Barberini is an art museum in Potsdam opened in 2017. Its exhibitions range from the so-called Old Masters to contemporary art, with an emphasis on impressionist painting. Centered around works from the collection of its founder and patron Hasso Plattner , the Barberini presents three temporary exhibitions per year, featuring loans ...
Cortona's tapestries were only woven once. The sole complete set remained with the Barberini collection in Rome until 1889. The tapestries were split up and passed through various hands before being reunited by the Samuel H. Kress Foundation and given to the Philadelphia Museum of Art in 1959. [3]