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A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music . It is also known as a mridanga (< Sanskrit mṛd + aṅga, lit. ' clay limb '), not to be confused with mridangam. It originates from the Indian states of Odisha, West Bengal, Assam and Manipur. The drum is played with palms and ...
In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming. He modified the kanjira to a frame drum with a single pair of jingles and brought the instrument to a classical stage. [1] [2] [3] It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the mridangam.
Chennakeshava Temple, 12th century A.D. Goddess playing an hourglass drum, possibly an udukai. Chande; Davul; Kachhi Dhol; Nagara – pair of kettledrums; Pambai – unit of two cylindrical drums; Parai thappu, halgi – frame drum played with two sticks; Sambal; Stick daff or stick duff – daff in a stand played with sticks; Tamak' Tasha ...
It is widely used in qawwali, kirtan, lavani and bhangra.It was formerly used in classical dance. Indian children sing and dance to it during pre-wedding festivities. It is often used in Filmi Sangeet (Indian film music), in chutney music, chutney-soca, baitak gana, taan singing, bhajans, and the local Indian folk music of Jamaica, Suriname, Guyana, Caribbean, South Africa, Mauritius, and ...
These drums disseminated to the Indian subcontinent with the Mughal migration, and from India spread worldwide with the Indian diaspora. The tassa drum proper is a conical or bowl-shaped nagaara- (aka nagada or nagaada) type drum which is played with a heavy bass drum called dhol, or simply "bass", and brass cymbals or metal shakers called ...
The chöpen is attached to the end of the drum's handle so that it waves about while the drum is being played. They are most commonly made of brocade or silk using the colors of the tantric elements. On smaller damaru, the chöpen is usually found without adornment, but on chöd damaru, the tail will often feature several items which have been ...
A typical naiyandi melam is composed of two double-reed nadaswaram, one or two thavil (barrel drums), a thamukku (kettle drum played with leather straps), a pambai, and an urumi. In the popular dance known as Devarattam (dance) , usually 2 to 3 urumis will be played with specific beats; sometimes a thappu (parai) is played in the background to ...