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Art criticism as a genre of writing, obtained its modern form in the 18th century. [3] The earliest use of the term art criticism was by the English painter Jonathan Richardson in his 1719 publication An Essay on the Whole Art of Criticism. In this work, he attempted to create an objective system for the ranking of works of art.
There is no official list of art critics, the compilation of which is compounded by problems in defining art criticism – not least of which is the overlap with art history, [1] and philosophy of art. Herein will be included those authors that are mentioned as being art critics or producing art criticism in works of reference, as are ...
Robert Studley Forrest Hughes AO (28 July 1938 – 6 August 2012) was one of the most notable Australian-born art critics, writer, and producer of television documentaries. He was described in 1997 by Robert Boynton of The New York Times as "the most famous art critic in the world." [1] [2]
William Hazlitt (10 April 1778 – 18 September 1830) was an English essayist, drama and literary critic, painter, social commentator, and philosopher.He is now considered one of the greatest critics and essayists in the history of the English language, [1] [2] placed in the company of Samuel Johnson and George Orwell.
Grant Wood's magnum opus American Gothic, 1930, has become a widely known (and often parodied) icon of social realism.. Social realism is work produced by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions.
Institutional critique is a practice that emerged from the developments of Minimalism and its concerns with the phenomenology of the viewer; formalist art criticism and art history (e.g. Clement Greenberg and Michael Fried); conceptual art and its concerns with language, processes, and administrative society; and the critique of authorship that begins with Roland Barthes and Michel Foucault in ...
In 1997 Art Issues Press published Air Guitar: Essays on Art and Democracy, a memoir containing 23 essays or "love songs" addressing his experiences as a music critic and an art dealer. The Invisible Dragon was originally published in 1993 with a new revised and expanded edition published in 2012. It is a series of provocative essays that ...
Nochlin challenges the myth of the Great Artist as 'Genius' as an inherently problematic construct. 'Genius' “is thought of as an atemporal and mysterious power somehow embedded in the person of the Great Artist.” [2] This ‘god-like’ conception of the artist's role is due to "the entire romantic, elitist, individual-glorifying, and monograph-producing substructure upon which the ...