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Godzilla vs. Biollante (ゴジラvsビオランテ, Gojira tai Biorante) [a] is a 1989 Japanese kaiju film directed and written by Kazuki Ōmori, with special effects by Kōichi Kawakita. Distributed by Toho and produced under their subsidiary Toho Pictures , it is the 17th film in the Godzilla franchise , the second film in the franchise's ...
Biollante [1] [2] [3] (Japanese: ビオランテ, Hepburn: Biorante) is a rose, human, and Godzilla mutant hybrid kaiju who first appeared in Toho's 1989 film Godzilla vs. Biollante and has since appeared in numerous licensed video games, novels, and comic books.
Godzilla and Biollante have a final battle with Godzilla winning, saving the earth. However, Godzilla becomes trapped in the Earth's center. As the book ends, the Russian government shows interest in studying Anguirus while America and Japan work together on a new project.
When Godzilla vs. Biollante had been released, Godzilla at the time was commonly called the New Godzilla (Japanese: 新ゴジラ, Hepburn: Shin Gojira). This name would be used to dub Godzilla Junior 's adult form in Godzilla vs. Destoroyah (1995). [ 2 ]
Despite being released within Japan's political Shōwa era five years before the new Emperor's reign, The Return of Godzilla is considered part of the Heisei series because it is a direct predecessor to Godzilla vs. Biollante (1989), which came out in the first year of the new Emperor's reign.
Miki Saegusa (三枝 未希, Saegusa Miki) is a recurring fictional character from the Heisei series of Godzilla films. She is a psychic who uses her powers to communicate with and, in some instances, control the mutant dinosaur Godzilla, and is credited for being the most frequently recurring human character in any kaiju (Japanese giant monster) series.
Godzilla: Final Wars (ゴジラ ファイナル ウォーズ, Gojira Fainaru Wōzu) is a 2004 kaiju film directed by Ryuhei Kitamura, with special effects by Eiichi Asada.An international co-production between Japan, Australia, the United States, and China, the film was produced by Toho Pictures, CP International, Zazou Productions, and Napalm Films.
The screenplay was revised by Kazuki Ōmori after the release of Godzilla vs. Biollante, though the project was ultimately scrapped by Toho, due to the poor box office performance of Godzilla vs. Biollante, as well as the assumption that Mothra was a character born purely out of Japanese culture and thus would have been difficult to market ...