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Back in the 1860s carousel figurines spread to the United States. Dustav Dentzel started a company that made the parts. Art Nouveau is known for his cameo glass. He used the acid-cutting method to create his pieces. [1] Ancient glassworkers would make vessels, vases, and eating utensils.
Parian ware was utilised mainly for busts and figurines, and occasionally for dishes and small vases, [5] such as might be carved from marble. In 1845, as part of a concerted effort to raise public taste and improve manufactures, the Art Union of London commissioned Copeland to make a series of figures after works by leading contemporary sculptors.
Egyptian faience was very widely used for small objects, from beads to small statues, and is found in both elite and popular contexts. It was the most common material for scarabs and other forms of amulet and ushabti figures, and it was used in most forms of ancient Egyptian jewellery, as the glaze made it smooth against the skin.
Many Staffordshire figures made from 1740 to 1900 were produced by small potteries and makers' marks are generally absent. Most Victorian figures (1837 to 1900) were designed to stand on a shelf or mantlepiece and are therefore only modelled and decorated where visible from the front and sides. These are known as 'flatbacks'.
Capodimonte is most famous for its moulded figurines. [ 1 ] The porcelain of Capodimonte, and later Naples, was a "superb" translucent soft-paste , "more beautiful" but much harder to fire than the German hard-pastes, [ 2 ] or "a particularly clear, warm, white, covered with a mildly lustrous glaze". [ 3 ]
A figurine (a diminutive form of the word figure) or statuette is a small, three-dimensional sculpture that represents a human, deity or animal, or, in practice, a pair or small group of them. Figurines have been made in many media, with clay , metal, wood, glass, and today plastic or resin the most significant.
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