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Şebnem Ferah (born 12 April 1972) is a Turkish singer, songwriter, composer, and guitarist. She was the lead vocalist of the all-female hard rock band Volvox [1] until 1994, after which she went on to pursue an illustrious solo career.
The four founding members (Simon, Antoine, Guillaume and Martin) met at the university in Paris.The name of the band, inspired by the infamous Exxon Valdez disaster, was chosen only for its sound, and modified to be unique.
Sophie Charlene Akland Monk (born 14 December 1979) [1] is a British-born Australian singer, actress, television personality, and model. She was a member of the pop girl group Bardot, winners of the first season of Popstars Australia in 2000.
[76] [77] For this record, Melua went back to her native Georgia to record an album with the Gori Women's Choir, a native Georgian all-woman singing troupe. Melua revealed during an interview with The Guardian that her partnership with Mike Batt had come to an end after her last album, as it was a six-album deal with Batt's Dramatico records.
Volvox is a polyphyletic genus in the volvocine green algae clade. [2] Each mature Volvox colony is composed of up to thousands of cells from two differentiated cell types: numerous flagellate somatic cells and a smaller number of germ cells lacking in soma that are embedded in the surface of a hollow sphere or coenobium containing an ...
Shirley Horn was born and raised in Washington, D.C. [2] Encouraged by her grandmother, an amateur organist, Horn began piano lessons at the age of four. [3] Aged 12, she studied piano and composition at Howard University, later graduating from there in classical music. [3]
Rozz Williams (born Roger Alan Painter; November 6, 1963 – April 1, 1998) was an American singer and songwriter known for his work with the bands Christian Death, Shadow Project (with musician Eva O), and the industrial project Premature Ejaculation.
Ada Wilson in The Rough Guide to Rock wrote that the album "failed to recapture [Ultravox!'s] on-stage energy". [6] In his retrospective review, Dave Thompson, writing for AllMusic, opined "it was Ultravox! who first showed the kind of dangerous rhythms that keyboards could create.