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I. Allegro ma non troppo. A minor.In sonata form.The exposition modulates to the submediant, F major, rather than to the usual mediant, C major.The recapitulation begins in the subdominant, D minor, and most of the recapitulation's second group is in A major before a short coda returns to the minor mode for the movement's ending.
D 784, Piano Sonata in A minor, Grande Sonate (1823, first published as Op. posth. 143) D 845, Piano Sonata in A minor (1825, first published as Op. 42) D 850, Piano Sonata in D major, Gasteiner (1825, first published as Op. 53) D 894, Piano Sonata in G major, Fantasie (1826, first published as Op. 78) D 958, Piano Sonata in C minor (1828)
Piano Sonata in A minor, D 537; Piano Sonata in A-flat major, D 557; Piano Sonata in E minor, D 566; Piano Sonata in D-flat major, D 568; Piano Sonata in E-flat major, D 568; Piano Sonata in F-sharp minor, D 571; Piano Sonata in B major, D 575; Vocal music: "Der Tod und das Mädchen", D 531 "An die Musik", D 547
Piano Sonata in E minor, D 566 511 Écossaise in E-flat major Ecossaise in Es : ca. 1817 529 Eight Écossaises Acht Ecossaisen ♫ February 1817 537 164(p) Sonata in A minor: Sonate in a ♫ March 1817 6 4 I. Allegro ma non troppo II. Allegretto quasi andantino III. Allegro vivace 557 Sonata in A-flat major: Sonate in As ♫ May 1817 3 5
P. Piano Sonata in A major, D 664 (Schubert) Piano Sonata in A major, D 959 (Schubert) Piano Sonata in A minor, D 537 (Schubert) Piano Sonata in A minor, D 784 (Schubert)
Piano Sonata in A minor, D 537 (Schubert) Piano Sonata in A minor, D 784 (Schubert) Piano Sonata in A minor, D 845 (Schubert) Piano Sonata No. 2 (Szymanowski) Piano Sonata No. 3 (Prokofiev) Piano Sonata No. 8 (Mozart) Piano Trio (Ravel) Piano Trio (Tchaikovsky) Piano Trio in A minor (Hill) Piano Trio in A minor (Sibelius) Pomp and Circumstance ...
Piano Sonata in E minor, D 566; first published as Op. posth. 145 No. 2) D 537, Piano Sonata in A minor (1817, first published as Op. posth. 164) D 557, Piano Sonata in A ♭ major (1817) D 566, Piano Sonata in E minor (1817, unfinished? – first three movements are extant; the Rondo in E major, D 506 may be the fourth movement)
The finale of the A major Sonata, uses as its main theme, a transformation of an earlier theme from the second movement of the Piano Sonata in A minor, D. 537. Schubert introduced some changes to the original melody, which make it conform better with the sonata's basic motifs, in accordance with the cyclical scheme of the sonata. [50]
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