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Music performed a cappella (/ ˌ ɑː k ə ˈ p ɛ l ə / AH kə-PEL-ə, UK also / ˌ æ k ə ˈ p ɛ l ə / AK ə-PEL-ə, Italian: [a kkapˈpɛlla]; [1] lit. ' in [the style of] the chapel '), less commonly spelled a capella in English, [2] is music performed by a singer or a singing group without instrumental accompaniment.
Choirs can sing with or without instrumental accompaniment. Singing without accompaniment is usually called a cappella singing (although the American Choral Directors Association [1] discourages this usage in favor of "unaccompanied", since a cappella denotes singing "as in the chapel" and much unaccompanied music today is secular).
Music which employs singing but does not feature it prominently is generally considered to be instrumental music (e.g. the wordless women's choir in the final movement of Holst's symphonic work The Planets) as is music without singing. Music without any non-vocal instrumental accompaniment is referred to as a cappella.
Sean-nós singing (/ ˈ ʃ æ n. n oʊ s / SHAN-nohss, Irish: [ˈʃan̪ˠ n̪ˠoːsˠ]; Irish for 'old style') is unaccompanied, traditional Irish vocal music usually performed in the Irish language.
This melody for the traditional song "Pop Goes the Weasel" is monophonic as long as it is performed without chordal accompaniment. [1]Play ⓘ. In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords.
A group of eleven musicians, such as found in The Carnival of the Animals, is called an undecet, and a group of twelve is called a duodecet (see Latin numerical prefixes). A soloist playing unaccompanied (e.g., a pianist playing a solo piano piece or a cellist playing a Bach suite for unaccompanied cello ) is not an ensemble because it only ...
Gregorian chant was originally used for singing the Office (by male and female religious) and for singing the parts of the Mass pertaining to the lay faithful (male and female), the celebrant (priest, always male) and the choir (composed of male ordained clergy, except in convents). Outside the larger cities, the number of available clergy ...
The Copper family has lived in Rottingdean since the sixteenth century, where they have worked as farm bailiffs, publicans, policemen and occasionally as soldiers. [3] The songs are thought to have been passed down for hundreds of years; George Copper, born in Rottingdean in 1784, was a celebrated singer in the village. [4]