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In music, a step, or conjunct motion, [1] is the difference in pitch between two consecutive notes of a musical scale. In other words, it is the interval between two consecutive scale degrees . Any larger interval is called a skip (also called a leap ), or disjunct motion .
Melodic motion: ascending vs. descending X conjunct vs. disjunct. Melodic motion is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise, skipwise or no movement, respectively. See also contrapuntal motion. In a conjunct melodic ...
conjunct An adjective applied to a melodic line that moves by step (intervals of a 2nd) rather than in disjunct motion (by leap). contralto Lowest female singing voice type contrapuntalism See counterpoint coperti (plural of coperto) covered (i.e. on a drum, muted with a cloth) corda String.
A step, or conjunct motion, [21] is a linear interval between two consecutive notes of a scale. Any larger interval is called a skip (also called a leap ), or disjunct motion . [ 21 ] In the diatonic scale , [ b ] a step is either a minor second (sometimes also called half step ) or major second (sometimes also called whole step ), with all ...
For example: Jazz musicians use the term "lead" or "head" to refer to the main melody, which is used as a starting point for improvisation . Rock music , and other forms of popular music and folk music tend to pick one or two melodies ( verse and chorus , sometimes with a third, contrasting melody known as a bridge or middle eight ) and stick ...
In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.
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Voice leading (or part writing) is the linear progression of individual melodic lines (voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. [1]