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An important distinction that made color field painting different from abstract expression was the paint handling. The most basic fundamental defining technique of painting is application of paint and the color field painters revolutionized the way paint could be effectively applied. Color field painting sought to rid art of superfluous rhetoric.
Morris Louis Bernstein (November 28, 1912 – September 7, 1962), known professionally as Morris Louis, was an American painter.During the 1950s he became one of the earliest exponents of Color Field painting.
In 1954, art critic Clement Greenberg introduced Morris Louis to painter Helen Frankenthaler, who was working in as a, "proto–color field painter". [3] Her painting, Mountains and Sea (1952) had an impact on Louis and many other painters in Washington, D.C., and they borrowed Frankenthaler's process of staining raw canvas with color.
Mark Rothko (/ ˈ r É’ θ k oÊŠ / ROTH-koh; Markus Yakovlevich Rothkowitz until 1940; September 25, 1903 – February 25, 1970) was an American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970.
There is a connection with post-painterly abstraction, which reacted against abstract expressionisms' mysticism, hyper-subjectivity, and emphasis on making the act of painting itself dramatically visible – as well as the solemn acceptance of the flat rectangle as an almost ritual prerequisite for serious painting. During the 1960s Color Field ...
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