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The Mexica/Aztec were said to be guided by their patron war-god Huitzilopochtli, meaning "Left-handed Hummingbird" or "Hummingbird from the South." At an island in Lake Texcoco, they saw an eagle, perched on a nopal cactus, holding a rattlesnake in its talons. This vision fulfilled a prophecy telling them that they should found their new home ...
Nahui Ollin symbol with an eye (ixtli) in the center. A solar ray and a precious stone (chalchihuitl) emanate from the eye, Codex Borbonicus (1519–1521) [1] Nahui Ollin is a concept in Aztec/Mexica cosmology with a variety of meanings. Nahui translates to "four" and Ollin translates to "movement" or "motion."
This is a list of gods and supernatural beings from the Aztec culture, its religion and mythology. Many of these deities are sourced from Codexes (such as the Florentine Codex (Bernardino de Sahagún), the Codex Borgia (Stefano Borgia), and the informants). They are all divided into gods and goddesses, in sections.
Nahua metaphysics centers around teotl, "a single, dynamic, vivifying, eternally self-generating and self-regenerating sacred power, energy or force." [9] This is conceptualized in a kind of monistic pantheism [10] as manifest in the supreme god Ometeotl, [11] as well as a large pantheon of lesser gods and idealizations of natural phenomena such as stars and fire. [12]
The Aztecs [a] (/ ˈ æ z t ɛ k s / AZ-teks) were a Mesoamerican civilization that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries.
Xipe Totec, carrying a bloody tecpatl.(Codex Borgia)Tecpatl, is one of the most complex iconographic symbols of Aztec mythology.This knife expresses multiple meanings that carry a complex view of the world which are closely associated with the notions of origin and human sacrifice.
The Aztec form of writing is largely pictorial and was a semasiographic system, meaning writing existed separately from spoken word. [5] The glyphs were recognizable to their meaning, and members of the population would understand what day it was and their current position in time. [5]
A representation of the goddess can be found on each side of the 1503 CE Coronation Stone of the Aztec ruler Moctezuma II, alongside the glyphs for fire and water — traditional symbols of war. Historian Mary Miller even suggests that Tlaltecuhtli may be the face in the center of the famous Aztec Calendar Stone (Piedra del Sol), where she ...