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A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Backing tracks can be as simple as a single prerecorded instrument, such as a recording of a pipe organ, which is impossible to move onstage, to string section recordings done in the studio, to full rhythm section recordings with bass, guitar, keyboards and drums. Some backing tracks also include backup vocals.
A backing vocalist is a singer who provides vocal harmony with the lead vocalist or other backing vocalists. A backing vocalist may also sing alone as a lead-in to the main vocalist's entry or to sing a counter-melody. Backing vocalists are used in a broad range of popular music, traditional music, and world music styles. Solo artists may ...
Vocal jazz or jazz singing is a genre within jazz music where the voice is used as an instrument. Vocal jazz began in the early twentieth century. Jazz music has its roots in blues and ragtime and can also traced back to the New Orleans jazz tradition . [ 1 ]
Dinner Party is a self titled EP by American jazz supergroup Dinner Party. It was released on July 10, 2020, via Sounds Of Crenshaw and Empire.The group, consisting of musicians Kamasi Washington, Robert Glasper, Terrace Martin, and 9th Wonder recorded the project at Chalice Recording Studios in Los Angeles at the end of 2019. [1]
"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, [2] first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, [3] would provide fertile ground for ...
"Lonely Woman" is a jazz composition by Ornette Coleman. Coleman's recording of it was the opening track on his 1959 Atlantic Records album The Shape of Jazz to Come . Alongside Coleman's alto saxophone , the recording featured Don Cherry on cornet , Charlie Haden on double bass and Billy Higgins on drums.
The soundtrack was released on October 7, 2014, by Varèse Sarabande and features 24 tracks, which were split into three parts. Each part, consists of varied musical selections, original jazz pieces, original underscore parts and classical jazz standards that featured various artists, including Stan Getz, Duke Ellington and other musicians. A ...
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