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The Girl from Beskydy Mountains (Czech: Děvčica z Beskyd) is a 1944 Czech drama film directed by František Čáp based on a novel by Miloslav J. Sousedík. [3]
Young Girl with a Flower Basket (French: Fillette à la corbeille fleurie or Jeune fille nue avec panier de fleurs or Fillette nue au panier de fleurs or Le panier fleuri) is a 1905 oil on canvas painting by Pablo Picasso from his Rose Period. The painting depicts a Parisian street girl, named "Linda", whose fate is unknown.
The personification of a nation as a woman was widespread in eighteenth- and nineteenth-century Europe. [1] The earliest image of Iceland personified as a woman seems to have appeared first in association with the poem Ofsjónir við jarðarför Lovísu drottningar 1752 ('Visions at the funeral of Queen Louise, 1752') by Eggert Ólafsson (1752), but this image does not survive.
A Girl in the Street, Two Coaches in the Background Artist Vincent van Gogh Year 1882 Catalogue F13 JH179 Medium Oil on canvas on panel Dimensions 42.0 cm × 53.0 cm (16.5 in × 20.9 in) Location Villa Flora, Winterthur A Girl in the Street, Two Coaches in the Background (F13, JH179) is an oil painting by Vincent van Gogh. It is one of his very early works, painted in The Hague in August 1882 ...
Mountains May Depart (Chinese: 山河故人) is a 2015 Mandarin-language drama and the 8th feature film directed by Jia Zhangke. [3] [4] It competed for the Palme d'Or at the 2015 Cannes Film Festival. [5] [6] and was also selected to be shown in the Special Presentations section of the 2015 Toronto International Film Festival. [7]
Batik, which is an art of wax-resist dyeing which creates intricate motifs, was elevated as a national art form—a national costume of Indonesia, which transcends Indonesian ethnic groups. Numbers of patterns and motifs have been developed, especially in Java, which contains symbolic meanings and significance.
A Girl Asleep (Dutch: Slapend meisje), also known as A Woman Asleep, A Woman Asleep at Table, and A Maid Asleep, [1] is a painting by the Dutch master Johannes Vermeer, created c. 1657. [2] It is now in the Metropolitan Museum of Art in New York City and may not be lent elsewhere under the terms of the donor's bequest.
The new Indonesian painting that has developed in Indonesia, like art in general, cannot be fully understood without placing it within the overall framework of Indonesian society and culture. The development of Indonesian painting works was strongly influenced by historical forces. Indonesian painting only developed after the era of Islamic ...