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“Abstract beauty is the heart of the beauty of figurative art. It is a natural thing to which we all respond. As a child loves to play with a kaleidoscope, so everyone likes pure form and color.” [4] Wu Guanzhong explains abstract beauty, which shows his appreciation for abstract art along with his traditional Chinese training.
Abstract art. Vasily Kandinsky, Kandinsky's first abstract watercolor (Study for Composition VII, Première abstraction), painted in 1913 [1] Russian Futurism. Natalia Goncharova, Cyclist, 1913 Rayonism. Mikhail Larionov, The Glass, 1912 Suprematism. Kazimir Malevich, Black Square, 1915 Proletkult.
Kandinsky's preliminary study was his first abstract watercolor. Untitled (Study for Composition VII, Première abstraction), painted in 1913, [2] is one of the first artworks to emerge from the representational tradition of Western European painting entirely, shedding references to well known forms, conventions of material representation and all narrative allusions.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art , non-figurative art , non-objective art , and non-representational art are all closely related terms.
An artist working on a watercolor using a round brush Love's Messenger, an 1885 watercolor and tempera by Marie Spartali Stillman. Watercolor (American English) or watercolour (Commonwealth English; see spelling differences), also aquarelle (French:; from Italian diminutive of Latin aqua 'water'), [1] is a painting method [2] in which the paints are made of pigments suspended in a water-based ...
Art – aesthetic expression for presentation or performance, and the work produced from this activity. The word "art" is therefore both a verb and a noun, as is the word "painting". Work of art – aesthetic physical item or artistic creation. A painting is a work of art expressed in paint.
In addition to visual art, Secret Art provides more personal insight into the life of Theodor Geisel. The book opens with a very short introductory letter by Geisel's widow, Audrey Geisel, titled "A Personal Note About Theodor Seuss Geisel", as well as an introduction by Maurice Sendak, both of which relate anecdotal tales of Geisel's work ethic and artistic vision.
However, non-Kano school artists and currents existed and developed during the Azuchi–Momoyama period as well, adapting Chinese themes to Japanese materials and aesthetics. One important group was the Tosa school , which developed primarily out of the yamato-e tradition, and which was known mostly for small scale works and illustrations of ...
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