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Later, Despoina was conflated with Kore (Persephone), the goddess of the Eleusinian mysteries, in a life-death-rebirth cycle. Karl Kerenyi asserted that the cult was a continuation of a Minoan goddess, and that her name recalls the Minoan - Mycenaean goddess 𐀅𐁆𐀪𐀵𐀍𐄀𐀡𐀴𐀛𐀊 , da-pu 2 -ri-to-jo,po-ti-ni-ja , i.e. the ...
“whereas the real name of the Maid [Kore] is Persephone, as Homer and Pamphos before him say in their poems, the real name of the Mistress [Despoina] I am afraid to write to the uninitiated.” [8] This indicates that Despoina’s true name was restricted to those initiated into the Arcadian mystery cults and thus alludes scholars today. [9]
Persephone opening a cista containing the infant Adonis, on a pinax from Locri Epizephyrii. Adonis was an exceedingly beautiful mortal man with whom Persephone fell in love. [69] [70] [71] After he was born, Aphrodite entrusted him to Persephone to raise. But when Persephone got a glimpse of the beautiful Adonis—finding him as attractive as ...
Demeter and Persephone were the two great goddesses of the Arcadian cults. According to Pausanias at Olympia they were called Despoinai ("mistresses", plural of Despoina ). [ 20 ] Demeter and Persephone were also called "Demeteres" as duplicates of the earth goddess with a double function as chthonic and vegetation goddesses.
A votive plaque known as the Ninnion Tablet depicting elements of the Eleusinian Mysteries, discovered in the sanctuary at Eleusis (mid-4th century BC). The Eleusinian Mysteries (Greek: Ἐλευσίνια Μυστήρια, romanized: Eleusínia Mystḗria) were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece.
It is part of a mini-pantheon prominent in the city, which also includes the goddess Artemis, the Titan Anytos, and the goddess Desponia, the "Mistress", whose true name remains unknown, according to the historian Pausanias, who catalogued the region in his book Description of Greece (Ἑλλάδος Περιήγησις, Hellados Periegesis).
Each story has its feet firmly planted in the real world, but serves as an epicenter for swirling fantasies. In one story, "The Lizzie Borden Jazz Babies," Sparks makes use of a tragic plot point that sets off many classic fairy tales – the untimely death of a protagonist's parent – and applies it to the father instead of the mother.
In Mycenaean Pylos, Demeter and Persephone were probably called the "queens" (wa-na-ssoi). [63] Pompeiian relief of Demeter in her aspects of mother goddess and goddess of agriculture. Both Homer and Hesiod, writing c. 700 BC, described Demeter making love with the agricultural hero Iasion in a ploughed field during the marriage of Cadmus and ...