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  2. Flaming Feather - Wikipedia

    en.wikipedia.org/wiki/Flaming_Feather

    Flaming Feather is a 1952 American Technicolor Western film directed by Ray Enright and starring Sterling Hayden.The film was shot on location around Oak Creek Canyon near Sedona, Arizona, and at the Montezuma Castle National Monument near Sedona.

  3. Relentless (1948 film) - Wikipedia

    en.wikipedia.org/wiki/Relentless_(1948_film)

    Relentless is a 1948 American Western film directed by George Sherman and starring Robert Young and Marguerite Chapman in the main roles. The film was based on the story, "Three Were Thoroughbreds," by Kenneth Perkins, originally published in the June 1938 issue of Blue Book and then as a hardcover novel in 1939.

  4. 3:10 to Yuma (2007 film) - Wikipedia

    en.wikipedia.org/wiki/3:10_to_Yuma_(2007_film)

    3:10 to Yuma is a 2007 American western action drama film directed by James Mangold and produced by Cathy Konrad, starring Russell Crowe and Christian Bale in the lead roles, with supporting performances by Peter Fonda, Gretchen Mol, Ben Foster, Dallas Roberts, Alan Tudyk, Vinessa Shaw, and Logan Lerman.

  5. The 10 Best Western Movies Ever Made - AOL

    www.aol.com/10-best-western-movies-ever...

    10. ‘Butch Cassidy and the Sundance Kid’ (1969) Rotten Tomatoes Score: 89%. IMDb Score: 8/10. A train robbery gone wrong sets the stage for what has become not just a classic Western film, but ...

  6. Stranger on Horseback - Wikipedia

    en.wikipedia.org/wiki/Stranger_on_Horseback

    Stranger on Horseback is a 1955 American Anscocolor Western film directed by Jacques Tourneur and starring Joel McCrea. [1] The screenplay is based on a story by Louis L'Amour. It was filmed in and around Sedona, AZ, and on Gene Autry’s Melody Ranch in Placerita Canyon, Newhall, CA.

  7. 3:10 to Yuma (1957 film) - Wikipedia

    en.wikipedia.org/wiki/3:10_to_Yuma_(1957_film)

    Bosley Crowther's review in 1957: Crowther, Bosley (August 29, 1957). "Screen: '3:10 to Yuma'; Suspenseful Western Arrives at Astor". The New York Times. Except that the ending is romantic and incongruous, in the face of what goes on, this is a first-rate action picture—a respectable second section to High Noon.

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