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DNxHR HQX - High Quality (12-bit 4:2:2) (UHD/4K Broadcast-quality delivery) DNxHR 444 - Finishing Quality (12-bit 4:4:4) (Cinema-quality delivery) Bandwidth requirements for the codec and its different flavors have been announced in the "Avid High Resolution Workflows Guide - December 2014" on page 166-172.
Capable of playing back 4K resolution video (2160p) in an aspect ratio of 21∶9; Capable of upscaling non-4K content (i.e. 720p / 1080p) [39] Sony Xperia smartphones are the most widely known products that equipped with CinemaWide 4K display, such as Xperia 1, Xperia 1 II, Xperia 1 III, Xperia 1 IV and Xperia 1 V.
This is a list of Avid DNxHD resolutions, mainly available in multiple HD encoding resolutions based on the frame size and frame rate of the media being encoded. The list below shows the available encoding choices for each of the available frame size and frame rate combinations. [1] [2] Its sister codec, Avid DNxHR, supports resolutions beyond ...
The extra pixels are used to form the increased area to the sides of the D1 image. The pixel density of 960H is identical to standard D1 resolution so it does not give any improvement in image quality, merely a wider aspect ratio. Alternative analog video transport technologies carrying higher resolutions than 960H include HD-TVI, HDCVI, and AHD.
An enlargement of a small section of a 1024x768 (VESA XGA) resolution image; the individual pixels are more visible in its scaled form than its normal resolution.A video scaler is a system that converts video signals from one display resolution to another; typically, scalers are used to convert a signal from a lower resolution (such as 480p standard definition) to a higher resolution (such as ...
Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. for use in post-production that supports video resolution up to 8K.It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. [1]
As projectors are replaced with 4K models [67] the difference in resolution between digital and 35 mm film is somewhat reduced. [68] Digital cinema servers utilize far greater bandwidth over domestic "HD", allowing for a difference in quality (e.g., Blu-ray colour encoding 4:2:0 48 Mbit/s MAX datarate, DCI D-Cinema 4:4:4 250 Mbit/s 2D/3D, 500 ...
Uncompressed video is digital video that either has never been compressed or was generated by decompressing previously compressed digital video. It is commonly used by video cameras, video monitors, video recording devices (including general-purpose computers), and in video processors that perform functions such as image resizing, image rotation, deinterlacing, and text and graphics overlay.
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