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The top of the opanky was made by lacing together strips of gut or hide. At the heel the sole continues into the woven part ending in long leather laces which were used to tie the opanci to the foot. These were worn over stockings. Opanci were originally made at home, then by village makers, and later by specialist opanky makers in small towns.
A kosovorotka (Russian: косоворо́тка, IPA: [kəsəvɐˈrotkə]), also known in the West as a Russian peasant shirt or Tolstoy shirt (tolstovka). The name comes from the Russian phrase kosoy vorot (косой ворот), meaning a “skewed collar”.
Colombia – Sombrero Vueltiao, ruana, white shirt, trousers and alpargatas (male), blouse, Cumbia pollera, Sombrero vueltiao and alpargatas (female); every region has a distinct costume. Ecuador – Poncho, Panama hat; Guyana – Guyana is unique among South American nations to not have a designated style of national dress. Every ethnic group ...
The blouse (Bluse) is worn under the bodice, and is cropped above the midriff. The blouse changes the overall effect of the dirndl particularly through the cut of its neckline. A deeply cut blouse combines with a deeply cut bodice to accentuate décolletage, whereas a blouse with a high neckline gives a more modest effect.
For centuries, peasant women typically wore a halter top underneath a blouse or overcoat, alongside a skirt (váy or quần không đáy). It was until the 1920s in Vietnam's north area in isolated hamlets where skirts were worn. [2] Before the Nguyễn dynasty, the cross-collared robe (áo tràng vạt) was worn popularly. [3] [4]: 295
Since the 1980s, two-piece silk dresses have been in vogue, whose top blouse is always worn over a skirt. Such fabrics have come under the influence of European fashion. The women's winter clothing consisted of a kožuh, ćurak coat, bundica coat (all fur coats) and a large woolen scarf. The girls wore black plush jackets for festive occasions.
Hakama are often considered particularly challenging to learn to fold properly, in part because of their pleats and in part because their long ties must be correctly smoothed and gathered before being tied in specific patterns. Various martial arts traditions in which practitioners wear them have prescribed methods of folding the hakama.
Her gown has a pattern of jewels at the neckline, and her wide sleeves are turned up to show the lining. Mary Wotton, Lady Guildenford wears a gable hood with a loose veil. The bodice of her gown (presumably laced at the side-back or back) is decorated with draped chains, and her smock sleeves are pulled through the open outer seam of her ...
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