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Hokkien pop, also known as Taiwanese Hokkien popular music, T-pop (Chinese: 臺語流行音樂), Tai-pop, Minnan Pop and Taiwanese folk (Chinese: 臺語歌), is a popular music genre sung in Hokkien, especially Taiwanese Hokkien and produced mainly in Taiwan and sometimes in Fujian in Mainland China or Hong Kong or even Singapore in Southeast Asia.
Chen Hsiao-yun (Chinese: 陳小雲; pinyin: Chén Xiǎoyún; Pe̍h-ōe-jī: Tân Sió-hûn; 1958–), real name Chen Yun Xia (陳雲霞), is a Taiwanese Hokkien pop music singer. She graduated from the provincial Taichung Home Economics and Commercial High School and worked as an accountant.
In 1990, she released a series of Hokkien classical songs 歌坛小公主 (The Singing Princess), featuring her playing the piano or guitar as she was singing or dancing. A famous release was the 黄金九岁山歌黄梅调 (Golden 9 years: Huang mei diao Chinese opera) at the age of 9, in which she starred as both boy and girl singing mandarin ...
[7] [8] Chiu was touched, and he decided to rewrite the lyrics of "Spring", wrote the story into Teng's music, that is "The Torment of a Flower". [9] It is the first collaborative work between Teng and Chiu. Especially, there was usually three part lyrics in Taiwanese Hokkien songs then, but there are four parts in "The Torment of a Flower ...
Hokkien media is the mass media produced in Hokkien. Taiwan is by far the largest producer of Hokkien-language media. [1] The "golden age" of both Hokkien popular music and film in Asia was the mid-1950s through to the mid-1960s. [1]
Bāng Chhun-hong is a Taiwanese Hokkien song composed by Teng Yu-hsien, a Hakka Taiwanese musician, and written by Lee Lin-chiu. [1] The song was one of their representative works. It was released by Columbia Records in 1933, and originally sung by several female singers at that time, such as Sun-sun, [2] Ai-ai (愛愛) or Iam-iam (豔豔).
Also: Taiwan: People: By occupation: Pop singers: Hokkien pop singers Pages in category "Taiwanese Hokkien pop singers" The following 50 pages are in this category, out of 50 total.
Following the movement, Sam Yang dedicated two days to composing the song "Island's Sunrise" and another day to recording it. [7] He revealed that he was deeply moved and even shed tears while writing the song, reflecting on the tragic violence resulting from the police's eviction of the protesters at the Executive Yuan.