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Hokkien pop, also known as Taiwanese Hokkien popular music, T-pop (Chinese: 臺語流行音樂), Tai-pop, Minnan Pop and Taiwanese folk (Chinese: 臺語歌), is a popular music genre sung in Hokkien, especially Taiwanese Hokkien and produced mainly in Taiwan and sometimes in Fujian in Mainland China or Hong Kong or even Singapore in Southeast Asia.
Chen Hsiao-yun (Chinese: 陳小雲; pinyin: Chén Xiǎoyún; Pe̍h-ōe-jī: Tân Sió-hûn; 1958–), real name Chen Yun Xia (陳雲霞), is a Taiwanese Hokkien pop music singer. She graduated from the provincial Taichung Home Economics and Commercial High School and worked as an accountant.
In 1990, she released a series of Hokkien classical songs 歌坛小公主 (The Singing Princess), featuring her playing the piano or guitar as she was singing or dancing. A famous release was the 黄金九岁山歌黄梅调 (Golden 9 years: Huang mei diao Chinese opera) at the age of 9, in which she starred as both boy and girl singing mandarin ...
Taiwanese Hokkien (/ ... Some of them are free of charge, and some are commercial. ... This is the case with some singers who can sing Taiwanese songs with native ...
[7] [8] Chiu was touched, and he decided to rewrite the lyrics of "Spring", wrote the story into Teng's music, that is "The Torment of a Flower". [9] It is the first collaborative work between Teng and Chiu. Especially, there was usually three part lyrics in Taiwanese Hokkien songs then, but there are four parts in "The Torment of a Flower ...
Bāng Chhun-hong is a Taiwanese Hokkien song composed by Teng Yu-hsien, a Hakka Taiwanese musician, and written by Lee Lin-chiu. [1] The song was one of their representative works. It was released by Columbia Records in 1933, and originally sung by several female singers at that time, such as Sun-sun, [2] Ai-ai (愛愛) or Iam-iam (豔豔).
Also: Taiwan: People: By occupation: Pop singers: Hokkien pop singers Pages in category "Taiwanese Hokkien pop singers" The following 50 pages are in this category, out of 50 total.
Tsai's song "Forgotten Times" (《被遺忘的時光》) is featured prominently in the 2002 hit Hong Kong film Infernal Affairs as a recurring element of its story line, and also in its sequels. Besides serving to elucidate the theme of the films, the song plays an important plot function in chronologically connecting various elements of the ...