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The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose:
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Hamlet Act 2, scene 2, 431–440 ...brevity is the soul of wit, Though this be madness, yet there is method in 't, There is nothing either good or bad but thinking ...
In Act III, Hamlet seems to drop the pretense of friendship, coldly dismissing the two in Scene 2. Line 319 is perhaps his only use of the royal "we" in the play, although he may also be addressing the other person present on the stage, Horatio, with whom Hamlet first saw the ghost they are discussing. To his mother, he comments in Scene 4 that ...
In this work, the title character is chastised by his uncle (and new stepfather), Claudius, for grieving his father so much, calling it unmanly. In his resultant soliloquy, Hamlet denounces his mother's swift remarriage with the statement, "Frailty, thy name is woman." [1] He thus describes all of womankind as frail and weak in character. [2]
The character Claudius is both the major antagonist of the piece and a complex individual. He is the villain of the piece, as he admits to himself: "O, my offence is rank it smells to heaven" (Act III, Scene 3, Line 40), yet his remarkable self-awareness and remorse complicates Claudius's villain status, much like Macbeth.
There is no subplot, but the play presents the affairs of the courtier Polonius, his daughter, Ophelia, and his son, Laertes—who variously deal with madness, love and the death of a father in ways that contrast with Hamlet's. The graveyard scene eases tension prior to the catastrophe, and, as Hamlet holds the skull, it is shown that Hamlet no ...
The characters in Act 5 scene 1 approach the topic this time with dark comedy, and in doing so bring up an entirely different theme. The parody of legal jargon used by the pair of clowns continues the theme of the corruption of politics, as seen in the usurpation of the throne by Claudius (which should have belonged to prince Hamlet) upon King ...