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  2. Coney Island (Taylor Swift song) - Wikipedia

    en.wikipedia.org/wiki/Coney_Island_(Taylor_Swift...

    Dessner provided drum machine programming with Devendorf and played acoustic guitar, electric guitar, bass guitar, high-string guitar, and synthesizer; his brother Bryce played piano and synthesizer and was the orchestrator for the cello (Clarice Jensen), drums (Devendorf and Jason Treuting), violin (Yuki Numata Resnick), and percussion (Treuting).

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    Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!

  4. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV ...

  5. Gospel Plow - Wikipedia

    en.wikipedia.org/wiki/Gospel_Plow

    Keep your hand on the plow, hold on. When my way gets dark as night, I know the lord will be my light, Keep your hand on the plow, hold on. Hold on Hold on Keep your hand on the plow, hold on. You can talk about me much as you please The more you talk, gonna stay on my knees. Keep your hand on the plow, hold on. When I get to heaven, gonna sing ...

  6. Keep Your Eyes on the Prize - Wikipedia

    en.wikipedia.org/wiki/Keep_Your_Eyes_on_the_Prize

    An early reference to the older song, "Gospel Plow," is in Alan Lomax's 1949 book Our Singing Country. [1] [2] [3] The book references a 1937 recording by Elihu Trusty of Paintsville, Kentucky, which is in the Library of Congress (Ref No .1397 A1). Lomax's references for Gospel Plow cite two earlier works.

  7. Voicing (music) - Wikipedia

    en.wikipedia.org/wiki/Voicing_(music)

    Beethoven Piano Sonata 29, second movement, bars 48-54 Beethoven Piano Sonata 29, second movement, bars 48-54. During the Romantic Era, composers continued further in their exploration of sonorities that can be obtained through imaginative chord voicing. Alan Walker draws attention to the quiet middle section of Chopin's Scherzo No. 1.

  8. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

  9. Trump says it could be worth keeping TikTok in US for a ...

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    President-elect Donald Trump indicated on Sunday that he favored allowing TikTok to keep operating in the United States for at least a little while, saying he had received billions of views on the ...

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