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[3]: xx Only the first part—that which focuses on tragedy and epic (as a quasi-dramatic art, given its definition in Ch. 23)—survives. The lost second part addressed comedy. [3]: xx [11] Some scholars speculate that the Tractatus coislinianus summarises the contents of the lost second book. [3]: xxi
In the Iliad, occasional syntactic inconsistency may be an oral tradition effect—for example, Aphrodite is "laughter-loving" despite being painfully wounded by Diomedes (Book V, 375); and the divine representations may mix Mycenaean and Greek Dark Age (c. 1150–800 BC) mythologies, parallelling the hereditary basileis nobles (lower social ...
The Epic Cycle (Ancient Greek: Ἐπικὸς Κύκλος, romanized: Epikòs Kýklos) was a collection of Ancient Greek epic poems, composed in dactylic hexameter and related to the story of the Trojan War, including the Cypria, the Aethiopis, the so-called Little Iliad, the Iliupersis, the Nostoi, and the Telegony.
In his work Poetics, Aristotle defines an epic as one of the forms of poetry, contrasted with lyric poetry and drama (in the form of tragedy and comedy). [12] Epic poetry agrees with Tragedy in so far as it is an imitation in verse of characters of a higher type. They differ in that Epic poetry admits but one kind of meter and is narrative in form.
While it is believed that Aristotle's Poetics originally comprised two books – one on comedy and one on tragedy – only the portion that focuses on tragedy has survived. Aristotle taught that tragedy is composed of six elements: plot-structure, character, style, thought, spectacle, and lyric poetry. [157]
a full text of the Iliad in ancient Greek; marginal critical marks, shown by finds of ancient papyri to reflect fairly accurately those that would have been in Aristarchus' edition of the Iliad; damaged excerpts from Proclus' Chrestomathy, namely the Life of Homer, and summaries of all of the Epic Cycle except the Cypria
In chapter 13 of the book, Aristotle states that for tragedy to end in misfortune is "correct," [6] yet in chapter 14 he judges a type of plot in tragedy "best" [7] that does not end in misfortune. [ 8 ] [ 9 ] Since the 16th century, scholars [ 10 ] [ 11 ] in Classics have puzzled over this contradiction or have proposed solutions, of which ...
A painting by the French Neoclassical painter Thomas Degeorge depicting the climactic final scene from Book Twenty-Two of The Odyssey in which Odysseus, Telemachus, Eumaeus, and Philoetius slaughter the suitors of Penelope. The Odyssey is an account of the adventures of Odysseus, one of the warriors at Troy.