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Saint Jerome and Abraham panels; Saint Jerome Hears the Trumpet of the Last Judgment; Saint Jerome at Prayer (La Tour) The Dead Christ Adored by Saint Jerome and Saint Dorothy; Della Rovere Chapel; Disputation of the Holy Sacrament; Saint Jerome in His Study (Dürer) St. Jerome in His Study (Dürer, 1521) St. Jerome in the Wilderness (Dürer)
The Francesco St Jerome . A copy of a lost St Jerome, in oils on copper, is attributed to the circle of the Italian Renaissance artist Palma the Younger, dated to the early 17th century. [1] It is in a private collection. It measures 26.3 x 22.2 cm. [2]
Saint Jerome Penitent and Abraham Served by Three Angels are two paintings by the Italian Renaissance master Antonello da Messina. They are housed in the Pinacoteca Civica, Reggio Calabria. These two panels are considered to be among the first works by Antonello da Messina. [1] They were both intended for devotion of private owners.
In the painting, Jerome's study is shown as a raised room with three steps, set in a large Gothic building with a colonnade on the right. The room is lit by a complex use of light which, in the Flemish manner, comes from several sources: firstly, from the central arch flow rays come in perspective directions, directing the viewer's gaze to ...
Grenoble version Stockholm version. St Jerome at Prayer is an oil-on-canvas painting executed ca. 1630–1635 by the French artist Georges de La Tour.He produced it for the abbey of Saint Antoine a Viennois, but it was confiscated by the state on the French Revolution and is now in the Museum of Grenoble.
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Albert of Brandenburg as Saint Jerome is a 1527 oil on panel painting by Lucas Cranach the Elder, who was a Protestant but also worked for Catholic patrons. [1] It shows Albert of Brandenburg . It and the Solly Madonna were bought by the Kingdom of Prussia in 1821 as part of Edward Solly 's collection and are both now in the Gemäldegalerie in ...
In Correggio's painting, the naked love goddess Venus is sleeping in the same pose as Jerome, seen from the same sharp angle, her feet towards the picture plane and her body vertical on the canvas. [4] The foreground of the picture is dominated by St. John the Baptist, identified by the long cross and the baptismal wash basin tied at his belt ...