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After the Great Fire of Rome occurred in July AD 64, it was rumored that Nero had ordered the fire to clear space for a new palace, the Domus Aurea. [6] [page needed] At the time of the fire Nero may not have been in the city but 35 miles away at his villa in Antium, [7] and possibly returned to the city before the fire was out. [8]
It depicts a group of Early Christian martyrs who are about to be burned alive as the alleged perpetrators of the Great Fire of Rome, during the reign of emperor Nero in 64 AD. People from many different social spheres, including the emperor himself, are present to watch the burning, which takes place in front of the Domus Aurea.
The Fire of Rome by Hubert Robert (1785) The Great Fire of Rome began on the night of 18 to 19 July 64, probably in one of the merchant shops on the slope of the Aventine overlooking the Circus Maximus, or in the wooden outer seating of the Circus itself. Rome had always been vulnerable to fires, and this one was fanned to catastrophic ...
The Roman elite despised Emperor Nero’s “artistic endeavors,” a historian said. Nero’s theater — where audience may have sat on ‘pain of death’ — discovered in Rome Skip to main ...
Construction began after the great fire of 64 and was nearly completed before Nero's death in 68, a remarkably short time for such an enormous project. [4] Nero took great interest in every detail of the project, according to Tacitus, [5] and oversaw the engineer-architects, Celer and Severus, who were also responsible for the attempted navigable canal with which Nero hoped to link Misenum ...
During the Great Fire of Rome in AD 64 over one third of Rome was destroyed by flames. The young Emperor Nero helped to direct the Vigiles in fighting the flames. It was rumoured that the Vigiles intentionally allowed the city to burn under orders from Nero, who later built his palace on land that was cleared by the fire.
The Domus Transitoria (House of Passage) [1] was Roman emperor Nero's (r. 54 – 68) first palace damaged or destroyed by the Great Fire of Rome in 64 AD, and then extended by his Domus Aurea (or Golden House).
Nero offered his gardens for the spectacle, and was exhibiting a show in the circus, while he mingled with the people in the dress of a charioteer or stood aloft on a car. Hence, even for criminals who deserved extreme and exemplary punishment, there arose a feeling of compassion; for it was not, as it seemed, for the public good, but to glut ...