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Calvinism even objected to non-religious funerary art, such as the heraldry and effigies beloved of the Renaissance rich. [14] Where there was religious art, iconic images of Christ and scenes from the Passion became less frequent, as did portrayals of the saints and clergy. Narrative scenes from the Bible, especially as book illustrations and ...
Religious suffering is, at the same time, the expression of real suffering and a protest against real suffering. Religion is the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions. It is the opium of the people. —
Sociologists of religion have stated that religious behaviour may have a concrete impact on a person's life. These consequences of religiosity are thought to include emotional and physical health, spiritual well-being, personal, marital, and family happiness. [1]
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
There are many varieties of positive and negative effects of criticism. This article describes common types that occur regularly in everyday life. For other criteria that classify criticisms, see Criticism § Classifications. For more subject-specific information, see the pages on topics such as art, film, literature, theatre, or architecture.
Protestant religious art, mainly in the form of illustrations of biblical events, continued in printmaking and in book illustrations, for example in the etchings of Rembrandt (1606–1669), who also painted biblical subjects. In the early stages of the Reformation, Protestant propagandists made vigorous use of images satirizing their opponents.
The question of whether images in Islamic art, including those depicting Muhammad, can be considered as religious art remains a matter of contention among scholars. [6] They appear in illustrated books that are normally works of history or poetry, including those with religious subjects; the Quran is never illustrated: "context and intent are ...
In monotheistic religions, aniconism was shaped by theological considerations and historical contexts.It emerged as a corollary in which people believed that God was the ultimate power holder, and people who practiced it believed that they needed to defend God's unique status against competing external and internal forces, such as pagan idols and critical humans.