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Tanya Marie Luhrmann (born 1959) is an American psychological anthropologist known for her studies of modern-day witches, charismatic Christians, ... In this book ...
It was written by the American anthropologist Tanya M. Luhrmann of the University of California, San Diego, and first published in 1989. The work would be criticized by later academics working in the field of Pagan studies and western esotericism, who charged it with dealing with those it was studying in a derogatory manner. [citation needed]
The anthropologist Tanya Luhrmann (1959–) of the University of California, San Diego – who had previously authored Persuasions of the Witches' Craft: Ritual Magic in Contemporary England (1989) – also published a predominantly negative review of the book, this time in the Journal of Anthropological Research, in which she also reviewed ...
Reacting against the work of Tanya Luhrmann, who had authored the primary anthropological study of the London occult scene, Persuasions of the Witch's Craft (1989), Greenwood argued against studying magical beliefs from a western rationalist perspective, instead adopting a theoretical approach informed by phenomenology and relativism.
A second study was produced by the anthropologist Tanya M. Luhrmann in her Persuasions of the Witch's Craft: Ritual Magic in Contemporary England (1989), in which she focused on both a Wiccan coven and several ceremonial magic orders that were then operating in London. [8]
Ruth B. Bottigheimer catalogued this and other disparities between the 1810 and 1812 versions of the Grimms' fairy tale collections in her book, Grimms' Bad Girls And Bold Boys: The Moral And Social Vision of the Tales. Of the "Rumplestiltskin" switch, she wrote, "although the motifs remain the same, motivations reverse, and the tale no longer ...
Living Witchcraft: A Contemporary American Coven is a sociological study of an American coven of Wiccans who operated in Atlanta, Georgia, US, during the early 1990s.It was co-written by the sociologist Allen Scarboro, psychologist Nancy Campbell and literary critic Shirley Stave and first published by Praeger in 1994.
The earliest academic studies of contemporary paganism were published between 1970 and 1980 by scholars like Margot Adler, Marcello Truzzi and Tanya Luhrmann, although it would not be until the 1990s that the actual pagan studies discipline properly developed, pioneered by academics such as Graham Harvey and Chas S. Clifton.
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