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Dori Laub (Hebrew: דורי לאוב; June 8, 1937 – June 23, 2018) was an Israeli-American psychiatrist and psychoanalyst, a clinical professor in Yale University’s Department of Psychiatry, an expert in the area of testimony methodology, and a trauma researcher.
Narrative Exposure Therapy (NET) is a short-term psychotherapy used for the treatment of post-traumatic stress disorder and other trauma-related mental disorders. [ 1 ] [ 2 ] It creates a written account of the traumatic experiences of a patient or group of patients, with the aim of recapturing self-respect and acknowledging the patient's value.
Exposé (also known as House on Straw Hill and Trauma) is a 1976 British psychological horror thriller film [1] that was referred to as a video nasty during the 1980s. [2] It was directed by James Kenelm Clarke , partly financed by Paul Raymond [ 1 ] and stars Udo Kier , Linda Hayden and 1970s sex symbol Fiona Richmond .
Memory and trauma is the deleterious effects that physical or psychological trauma has on memory. Memory is defined by psychology as the ability of an organism to store, retain, and subsequently retrieve information.
Narrative therapy (or narrative practice) [1] is a form of psychotherapy that seeks to help patients identify their values and the skills associated with them. It provides the patient with knowledge of their ability to embody these values so they can effectively confront current and future problems.
Set during the 1970s, Trauma focuses on the life of Dr. Charlie Weir, who lives and works in New York City as a psychiatrist specializing in the treatment of posttraumatic stress disorder. Charlie's narration begins with a reminiscence of his early life and his mother's developing struggle with depressive illness, before moving into other ...
Transgenerational trauma is the psychological and physiological effects that the trauma experienced by people has on subsequent generations in that group. The primary mode of transmission is the shared family environment of the infant causing psychological , behavioral and social changes in the individual.
As Mcwilliam and Bickle argue "rather than offering revenge as a counter-narrative to rape trauma, the film sets up revenge as a site of further trauma, an expansion of the initial crime. In terms of the rape-revenge genre, Kokkinos' text denies the role of revenge as a form of return or reinstatement of the status quo: instead, the outcome of ...
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