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Chinese language does not traditionally observe the English custom of a serial comma (the comma before conjunctions in a list), although the issue is of little consequence in Chinese at any rate, as the English "A, B, and C" is more likely to be rendered in Chinese as "A、B及C" or more often as "A、B、C", without any word for "and", see ...
On 7 January 1964, the Chinese Character Reform Committee submitted a "Request for Instructions on the Simplification of Chinese Characters" to the State Council, mentioning that "due to the lack of clarity on analogy simplification in the original Chinese Character Simplification Scheme (汉字简化方案), there is some disagreement and confusion in the application field of publication”.
The meaning of a Chinese character is the morpheme meaning recorded in it. The meaning of a single-character word is its character meaning. The meaning of a multi-character word is generally derived from the meanings of the characters. The main ways to combine character meanings into word meanings include: [16] [17]
Therefore, Pinyin writing is also a kind of Chinese writing, and it can also be an important reference for Chinese character word segmentation. [12] "Basic Rules of Chinese Pinyin Orthography" is the Chinese national standard for Pinyin writing and word segmentation. Its main content "5. General rules" is excerpted as follows: [13]
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
In Chinese poetry, a duilian (simplified Chinese: 对 联; traditional Chinese: 對 聯; pinyin: duìlián ⓘ) is a pair of lines of poetry which adhere to certain rules (see below). Outside of poems, they are usually seen on the sides of doors leading to people's homes or as hanging scrolls in an interior.
Character amnesia is a phenomenon where experienced speakers of some East Asian languages forget how to write Chinese characters previously well-known to them. The phenomenon is specifically tied to prolonged and extensive use of input methods, such as those that use romanizations of characters, and is documented to be a significant issue in China and Japan.
One of the prototypes of "right" names for barbarians is the very ancient ethnonym Qiang, which shows up in the earliest forms of Chinese writing after 1200 BCE and is still with us today as the name of a non-Chinese people to the west of central China. It was originally a rendering of a horned being, and scholars debate whether this referred ...