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Alto and tenor saxophone reeds. A reed (or lamella) is a thin strip of material that vibrates to produce a sound on a musical instrument. Most woodwind instrument reeds are made from Arundo donax ("Giant cane") or synthetic material. Tuned reeds (as in harmonicas and accordions) are made of metal or synthetics. Musical instruments are ...
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B ♭ (while the alto is pitched in the key of E ♭ ), and written as a transposing instrument in the treble clef ...
The most basic style is the Traditional reed (also known as the "Blue Box" reed), which is very similar to the Traditional clarinet reed. It features a thin tip and a strong heart. Although the Traditional reed is seen as a "classical" saxophone reed, it is extremely versatile and is used by many saxophonists in a variety of musical styles.
It uses a standard tenor saxophone reed. The xaphoon has nine tone holes: eight holes in front, and one hole in back for the left thumb, superficially resembling those of a recorder . The xaphoon's fingerings, however, are significantly different from those of either a saxophone or recorder.
The saxophone was introduced into the concert band, which usually calls for an E ♭ alto saxophone, a B ♭ tenor saxophone, and an E ♭ baritone saxophone. A concert band may include two altos, one tenor, and one baritone. A B ♭ soprano saxophone is also sometimes used, and is played by the first alto saxophonist.
Hemke decided to spend time focusing on the tenor saxophone as a classical solo instrument, as evidenced by the release of his 1971 solo album Music for Tenor Saxophone. In orchestral music, the tenor saxophone is one of three saxophones heard in Ravel's Boléro — they were originally scored for two players, one on E ♭ sopranino and the ...
Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in a double reed instrument (such as the oboe and bassoon ), there is no mouthpiece; the two parts of the reed vibrate against one another.
The AllMusic review by Ken Dryden states, "Al Cohn's writing for small groups is always appealing, and this Epic LP is no exception. Leading three separate groups consisting of various reeds (and no brass) plus a rhythm section, Cohn obtains marvelous results from his groups of all-stars and veteran session musicians".
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