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"Count On Me" is a song by American singer-songwriter Bruno Mars from his debut studio album, Doo-Wops & Hooligans (2010). The song was first unveiled on Mars's debut extended play , It's Better If You Don't Understand (2010).
Its parallel major, G-sharp major, is usually replaced by its enharmonic equivalent of A-flat major, since G-sharp major has an F in its key signature, making it less convenient to use. A-flat minor, its enharmonic, has seven flats, whereas G-sharp minor only has five sharps; thus G-sharp minor is sometimes used as the parallel minor for A-flat ...
The G-sharp minor prelude (and the fugue) from the same set ends with a Picardy third, on a G-sharp major chord. G-sharp major is tonicised briefly in several of Frédéric Chopin's nocturnes in C-sharp minor. A section in the second movement of Chopin's Piano Concerto No. 1 is in G-sharp
"Count On Me" (Bruno Mars song), 2011 "Count On Me" (Chase & Status song), featuring Moko, 2013 "Count On Me" (Jefferson Starship song), 1978 "Count On Me" (Judah Kelly song), 2017 "Count On Me" (The Statler Brothers song), 1986 "Count On Me" (Whitney Houston and CeCe Winans song), 1996 "Count On Me", a song first sung by Frank Sinatra for the ...
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
After the release of the singles "Nothin' on You" by B.o.B and "Billionaire" by Travie McCoy, both featuring Bruno Mars in the chorus, it was decided that the following step would be releasing a four-track digital EP as fast as possible, so that people would understand that Mars was a "real artist".
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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