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3 "Safeguard" and "Remember" in a single utterance, [b] Shamor v'zakhor b'dibur eḥad: שמור וזכור בדבור אחד 4 We were made to hear by the unified God, hishmiʿanu El hameyuḥad: השמיענו אל המיחד 5 God is one and God’s Name is one, Adonai eḥad ushemo eḥad: יי אחד ושמו אחד 6
The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders.
Songwriter Harlan Howard once said "country music is three chords and the truth." [2] Lou Reed said "One chord is fine. Two chords is pushing it. Three chords and you're into jazz." [3] Reed nevertheless wrote many songs with unique or complex chord progressions himself, such as the material on Berlin.
[3] The use of letters, "is an analytical technique that may be employed along with, or instead of, more conventional methods of analysis such as Roman numeral analysis. The system employs letter names to indicate the roots of chords, accompanied by specific symbols to depict chord quality." [4] Other notation systems for chords include: [5]
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
But we were too far ambitious at that time for it to remain simply acoustic and making music with just acoustic guitar, keyboards and female voice, was just a bit boring, and we naturally started heading in a heavier direction. The funny thing about Angels Fall First is that it was only supposed to be a demo to send out to record labels.
The song was written in the key of B minor, [3] but the recording sounds one semitone lower. The song was performed at Live Aid as an encore, with additional instruments and arrangements in the last part; changes were also present in the vocal line. A month before their Live Aid appearance, "Is This the World We Created…?"
That's Why God Made the Radio is the twenty-ninth studio album by American rock band the Beach Boys, released on June 5, 2012, by Capitol Records.Produced by Brian Wilson, the album was recorded to coincide with the band's 50th anniversary.