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Sugar is a 1972 musical with a book by Peter Stone, music by Jule Styne, and lyrics by Bob Merrill.The musical is based on the 1959 film Some Like It Hot, which was adapted by Billy Wilder and I.A.L. Diamond from a story by Robert Thoeren and Michael Logan.
Sugar Babies is a musical revue conceived by Ralph G. Allen and Harry Rigby, with music by Jimmy McHugh, lyrics by Dorothy Fields and Al Dubin and various others. The show is a tribute to the old burlesque era. (The show's name is taken from one of many shows on the old Mutual Burlesque wheel of the Roaring Twenties.)
Let My People Come is a musical with book and music by Earl Wilson, Jr. and lyrics by Wilson and Phil Oesterman. [1] Subtitled "A Sexual Musical", the sexually-explicit show originally ran from 1974 to 1976 at The Village Gate Theater in Greenwich Village , New York City .
The album contained a number of her biggest French hits, early recordings from the 1960s, lost disco-era songs such as "It's Got to Be You", and a re-recording of "Sugar Daddy". Gallant has more recently recorded a duet with the French rap group, Treizième Étage, called "Faut pas lâcher".
My Heart Belongs to Daddy" is a song written by Cole Porter for the musical Leave It to Me! which premiered on November 9, 1938. It was originally performed by Mary Martin , who played Dolly Winslow, the young " protégée " of a rich newspaper publisher, [ 1 ] her sugar daddy .
In the story of Hedwig and the Angry Inch, Hedwig sings the tune as a love song to Tommy, while in the film, she is singing a version of the song when Tommy comes into a donut shop, and later in the film, a full, rock ballad reprise version has been created for Tommy to sing to Hedwig. After his relationship with Hedwig was revealed, Tommy ...
After tryouts in Philadelphia and Boston, and only four previews on Broadway in 1966, the show was closed by producer David Merrick at a total financial loss. Its only revival was a staged concert in 2013 at a 200-seat venue in London. A studio recording was released in 2001. The musical is one of the most notorious fiascos in Broadway history.
Do Re Mi is a musical with music by Jule Styne, lyrics by Betty Comden and Adolph Green, and a book by Garson Kanin, who also directed the original 1960 Broadway production. . The plot centers on a minor-league con man who decides to go (somewhat) straight by moving into the legitimate business of juke boxes and music promoti