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Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between 1638 and 1639.
File: Self-portrait as the Allegory of Painting (La Pittura) - Artemisia Gentileschi.jpg
This is evident in her allegorical self portrait, Self Portrait as "La Pittura", which shows Artemisia as a muse, "symbolic embodiment of the art" and as a professional artist. [ 60 ] Before Artemisia, between the end of the 1500s and the beginning of 1600s, other women painters had successful careers, including Sofonisba Anguissola (born in ...
Portrait of Princess Marthe Bibesco, oil on canvas: Subject: Marthe Bibesco (1886–1973) 1911: Portrait of Rita de Acosta Lydig, oil on canvas: M.S. Rau Antiques, New Orleans: Subject: Rita de Acosta Lydig (1875–1929) 1911: Self-Portrait: Museo Boldini, Ferrara: Subject: Giovanni Boldini 1912: Portrait of Mlle. de Gillespie, La Dame de ...
1 File:Self-portrait as the Allegory of Painting (La Pittura) - Artemisia Gentileschi.jpg to appear as POTD
Las Meninas, painted in 1656, shows Diego Velázquez working at the easel to the left.. Self-portraiture has a long history. In Reynolds & Peter's analysis, the handprints that prehistoric humanity left in cave paintings can be considered precursors of the self-portrait, as they are a direct document of the author's presence in the creative act and his perception of the existence of a "self".
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The Self-Portrait as a Lute Player was created after Gentileschi was married and moved from Rome to Florence after a fourteen-month rape trial against Agostino Tassi. [9] [6] Self-Portrait as a Lute Player and other self-portraits of Gentileschi were painted for private collections and allowed her to express her wit and cultural knowledge. [6]