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Rama, Sita, Lakshmana and Hanumana worship at Gibraltar Hindu Temple, Gibraltar. As part of the Bhakti movement, Rama and Sita became the focus of the Ramanandi Sampradaya, a sannyasi community founded by the 14th-century North-Indian poet-saint Ramananda. This community has grown to become the largest Hindu monastic community in modern times.
Rama and Sita have inspired many forms of performance arts and literary works. [235] Madhubani paintings are charismatic art of Bihar, and are mostly based on religion and mythology. In the paintings, Hindu gods like Sita-Rama are in center with their marriage ceremony being one of the primary theme. [236]
The Unmatta-raghava gives a curious tale of Rama. Sita enters into a garden forbidden to the womenfolk and is transformed into a gazelle. Rama wanders in her search and his maddened soliloquies. The s'age Agasta takes pity and relieves Sita of the curse of Durvasa which was the cause of her transformation because once Durvasa disturb by gazelle.
Sita Swayamvara (Maithili: सीता स्वंवर) is the swayamvara event, culminating in the wedding of the deities Rama and Sita, the protagonists of the Hindu epic Ramayana. The event was related to a competition among the kings in the Indian subcontinent to win the hand of the princess Sita of the Mithila Kingdom.
The fruits of my visit are transcendental, a creature attains its natural state. Sita’s whereabouts, O dear! If you know, say to me, O beautiful! Go to river Pampa, Rama, there will happen Sugriva's friendship. He will say everything. Rama, you know but still ask, O omniscient! Again and Again she bowed before Rama. With love she narrated the ...
Sita-Rama, a combination of the names of Rama and Sita, is also used as a common greeting in some parts of the world.. Sitaram is a Hindu term for the deity Sita and Rama.It is also used as a greeting by Hindus in the Hindi Belt especially in the Awadh, Bhojpur, and Mithila regions as well as being used by the diaspora in Fiji, Guyana, Jamaica, Mauritius, Suriname, and Trinidad and Tobago.
Peter Scharf, Ramopakhyana: The Story of Rama in the Mahabharata. An Independent-study Reader in Sanskrit (London: RoutledgeCurzon, 2003), ISBN 978-1-136-84655-7 . Pendyala Venkata Subrahmanya Sastry worte a critical analysis of Ramopakhyana by Errana entitled Ramopakhyanamu-Tadvimarsanamu (1938) in Telugu language , who is one of the authors ...
On being asked to prove his devotion to Rama, Hanuman tears his chest open and to everyone's surprise, there is an image of Rama and Sita inside his chest. Rama rules Ayodhya and the reign is called Rama-Rajya (a place where the common folk are happy, fulfilled, and satisfied). Then Valmiki trained Lava and Kusha in archery and succeeded to the ...