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In this cartoon, the British satirist James Gillray caricatured a scene at the Smallpox and Inoculation Hospital at St. Pancras, showing cowpox vaccine being administered to frightened young women, and cows emerging from different parts of people's bodies. The cartoon was inspired by the controversy over inoculating against the dreaded disease ...
Original - 18th-century anti-vaccination quackery, as satirised by James Gillray. His illustration pokes fun of one of the claims made against the cow pox innoculation: That it would cause cow-like appendages to grow out of the body. Reason I don't believe we have any of James Gillray's work as FP. Without wanting to understate Hogarth's ...
James Gillray (13 August 1756 [1] [2] – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
Works by the British caricaturist James Gillray (1756–1815) Pages in category "Works by James Gillray" The following 5 pages are in this category, out of 5 total.
Moseley expressed his views before Parliament during investigations into the practice in 1802 and 1808. His outlandish theories were the basis for a satirical cartoon by James Gillray called “The Cow Pock” which portrayed small cows bursting out of human bodies. [4] [3] Moseley died in Southend, a favorite summer vacation spot, in 1819 ...
James Gillray's satirical image about the scandal. In 1796, the artist Benjamin West, who was then president of the Royal Academy of Arts in London, purchased an old manuscript from Jemima and Thomas Provis that they claimed held the details of the materials and techniques that had been used by painters such as Titian, Tintoretto, and Veronese.
In 1802, he published his Practical Observations on Vaccination or Inoculation for the Cow-Pock. [1] The child was named after Edward Jenner, the inventor of vaccination, [1] and was vaccinated at twenty-three days old. Coxe has so much faith in vaccination that he placed his son in the arms of a man dying of smallpox.
The cartoon image of stolid, stocky, conservative and well-meaning John Bull, dressed like an English country squire, sometimes explicitly contrasted with the conventionalised scrawny, French revolutionary sans-culottes Jacobin, was developed from about 1790 by British satirical artists James Gillray, Thomas Rowlandson and Isaac Cruikshank.