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Overglaze decoration, overglaze enamelling, or on-glaze decoration, is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing ...
Though the ceramic body is light-coloured, the wares, generally small cups for tea, bowls and vases, normally are glazed in dark colours, with special effects such as the "hare's fur" "oil-spot" and "partridge feather" patterns caused randomly as excess iron in the glaze is forced out during firing.
Bowl with couple in a garden, around 1200. In this type of scene, the figures are larger than in other common subjects. Diameter 18.8 cm. [1] Side view of the same bowl Mina'i ware is a type of Persian pottery, or Islamic pottery, developed in Kashan in the decades leading up to the Mongol invasion of Persia and Mesopotamia in 1219, after which production ceased. [2]
Jizhou ware was known for a "tortoiseshell glaze" (玳瑁釉 dàimàoyòu), [5] [6] alone or in combination with other types of decoration. [7] The leaf and paper cut-outs were left in place, and burnt away in the kiln during firing. Paper cut-outs featured "auspicious characters" or simple floral patterns, often spread around the sides of the ...
China painting, or porcelain painting, [a] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain , developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china ), developed in 18th-century Europe.
Blue Mountain Pottery were known for their combinations of glazes that gave each item a unique finish. The initial glaze used was a deep blue-green, combined with a darker glaze. This combination of glazes, called a "flow glaze" or a "drip glaze" process, meant that during the firing process, each piece obtained a unique appearance. [1] [3]
Two tiles, circa 1560, fritware, painted in blue, turquoise, red, green, and black under a transparent glaze, Art Institute of Chicago (Chicago, US) Dish with foliate rim decorated with flowers and a cypress tree, with a dollar pattern border, c. 1575. Iznik pottery, or Iznik ware, named after the town of İznik in Anatolia where it was made ...
Flow blue vegetable server in the "Normandy" pattern produced by Staffordshire potter Johnson Brothers c. 1890. Most flow blue ware is a kind of transferware, where the decorative patterns were applied with a paper stencil to often white-glazed blanks, or standard pottery shapes, though some wares were hand painted. The stencils burned away in ...
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