Search results
Results from the WOW.Com Content Network
The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F 5). [1] The term tenor was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre ...
According to I. A. Richards, the two parts of a metaphor are the tenor and vehicle. The tenor is the subject to which attributes are ascribed. The vehicle is the subject from which the attributes are derived. [2] Thus, they are broadly equivalent to the notions of target and source domains in conceptual metaphor theory. [3]
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
B. Philip Bailey; Kenny Baker (American performer) Horton Barker; Brent Barrett; Jan Bart; John Battles; Franklyn Baur; Hunter Bell; Joey Belladonna; Chester Bennington
The concert is particularly known for the two recordings of "Nessun dorma". The first is sung by Pavarotti alone. The second, the concert encore, includes all three tenors singing individually and then, for the final 'Vincerò!' singing together - conductor Zubin Mehta appeared completely delighted with the effect this had.
The Three Tenors in Concert 1994 is a live album by José Carreras, Plácido Domingo and Luciano Pavarotti with conductor Zubin Mehta. The album was recorded on July 16, 1994, at the Three Tenors concert in Los Angeles with the Los Angeles Philharmonic and the chorus of the Los Angeles Opera on the night before the 1994 FIFA World Cup Final . [ 1 ]
It is a type of tenor voice with a compass not much wider than that of the coeval baritenor, but able to sustain far higher tessiture.It means that the basic range remained substantially the classic one, from C 3 to C 5: only the best baritenors, however, were able to reach up to such heights and used to pass anyway to the falsettone (or strengthened falsetto) register [2] about G 4; for ...
The "Ciaccona" from Johann Sebastian Bach's Partita for Violin No. 2. A chaconne (/ ʃ ə ˈ k ɒ n / shə-KON, French:; Spanish: chacona; Italian: ciaccona [tʃakˈkoːna]; earlier English: chacony) [1] is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (ground bass) which offers ...