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Transitions in fiction also refer to how the trajectory of characters changes according to the various factors that affect them. The spatial and temporal changes affecting the characters help in the plot development. This shift can also denote a parallel transition that takes place regarding the state of mind of the character. [4]
A transition or linking word is a word or phrase that shows the relationship between paragraphs or sections of a text or speech. [1] Transitions provide greater cohesion by making it more explicit or signaling how ideas relate to one another. [1] Transitions are, in fact, "bridges" that "carry a reader from section to section". [1]
Transition Magazine, a political and literary journal published from 1961 to 1976 on the African continent, and revived in 1991 in the United States; Transitions Online, Czech publisher of the Transitions news journal; Transition, a novel by Vonda N. McIntyre 1990; The Transition Weapons of Choice, the failed military experiment in John ...
Such a transition is executed by the turn. In Veering: A Theory of Literature, Nicholas Royle states, "Nowhere is [the] haphazard and disruptive strangeness of veering perhaps more evident than in the space of literature. Indeed...in a sense this is what literature is." And one central aspect of Royle's veering is the turn.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
The transition (liminal) phase is the period between stages, during which one has left one place or state but has not yet entered or joined the next. "The attributes of liminality or of liminal personae ("threshold people") are necessarily ambiguous."
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. [ 4 ] In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". [ 5 ]