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Ramón Pagayon Santos (born 25 February 1941) is a Filipino composer, ethnomusicologist, and educator known for being the Philippines' foremost living exponent of contemporary Filipino classical music, [1] [2] for work that expounds on "the aesthetic frameworks of Philippine and Southeast Asian artistic traditions," [2] and for finding new uses of indigenous Philippine instruments.
Folk music musical instruments. The music of the Philippines' many Indigenous peoples are associated with the various occasions that shape life in indigenous communities, including day-to-day activities as well as major life-events, which typically include "birth, initiation and graduation ceremonies; courtship and marriage; death and funeral rites; hunting, fishing, planting and harvest ...
Some of the major reasons for this include the language barrier, small market size, and socio-cultural emphasis away from regionalism in the Philippines. An example would be the Ilokano group The Bukros Singers, [14] who swept through Ilocandia in the 1990s and became a precursor for other Ilokano performers into the 2000s, but rarely broke ...
Levi Celerio (April 30, 1910 – April 2, 2002) was a Filipino composer and lyricist who is credited with writing over 4,000 songs. Celerio was recognized as a National Artist of the Philippines for Music and Literature in 1997.
Lucio Diestro San Pedro, Sr. (February 11, 1913 – March 31, 2002) was a Filipino composer and teacher who was proclaimed a National Artist of the Philippines for Music in 1991. [3] Today, he is remembered for his contribution to the development of Filipino regional band music [ 4 ] and for his well-known compositions such as the Filipino ...
The song won the Manila Film Festival Best Song Of The Year Award in 1972. Canseco followed it with an English song entitled "Songs" exclusively for "Songs and Amapola" under the Vicor Music Corporation Pioneer Label. Canseco's best-known composition, however, was "Child", the English-language version of Freddie Aguilar's signature song "Anák".
Kundiman was the traditional means of serenade in the Philippines. The kundiman emerged as an art song at the end of the 19th century and by the early 20th century, its musical structure was formalised by Filipino composers such as Francisco Santiago and Nicanor Abelardo; they sought poetry for their lyrics, blending verse and music in equal parts.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. This is a list of composers ...