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Roger Daltrey sings the opening lines softly, but explodes on the line "I'm going to tune right in on you," supported by Keith Moon's drum fills. [1] The music then relaxes again. [ 1 ] There is a duet in which Daltrey exchanges the line "Getting in tune to the straight and narrow" with Townshend (low harmony) and Entwistle (high harmony), a ...
"I'm So into You" is a song by American R&B vocal trio SWV from their debut studio album, It's About Time (1992). Written and produced by Brian Alexander Morgan , the song was released in January 1993 by RCA Records as the second single from the album.
In "So in to You", the singer admits an instant and mysteriously compelling attraction to a stranger entering the room, and is unable to focus on anything else. He attempts to gain the stranger's attention, hoping that she will be able to make a personal connection and that the "vibe" he feels will be mutual.
So into You may refer to: "So into You" (Koda Kumi song), 2002 "So Into You" (Tamia song), 1998 "So into You" (The Wildhearts song), 2003 "So in to You", a 1977 song by Atlanta Rhythm Section from their album A Rock and Roll Alternative
Based on Tamia's 1998 single "So Into You", which samples the Commodores' song "Say Yeah", "Into You" reached number 4 on the Billboard Hot 100, becoming the second single from the album to reach the top 10, after "Can't Let You Go". The song stayed on the Hot 100 throughout 2003, finishing at number 23 on the chart's year-end edition.
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic , subdominant , and dominant ( scale degrees I, IV and V): in the key of C, these would be the C, F and G chords.
I guess so / Say you can’t sleep, baby, I know / That’s that me espresso.” One line, in particular, has become a meme: “I’m working late ‘cause I’m a singer," for its catchiness and ...
"So Into You" is a song performed by Canadian singer Tamia from her self-titled debut album Tamia (1998). It was written by Tamia, Tim Kelley, and Bob Robinson, with production helmed by Kelley and Robinson under their production moniker Tim & Bob. The song is built around a sample from "Say Yeah" (1978) by American soul band The Commodores.
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