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Example of numeric vihuela tablature from the book "Orphenica Lyra" by Miguel de Fuenllana (1554). Red numerals (original) mark the vocal part. Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches.
Old Spanish (roman, romançe, romaz; [3] Spanish: español medieval), also known as Old Castilian or Medieval Spanish, refers to the varieties of Ibero-Romance spoken predominantly in Castile and environs during the Middle Ages. The earliest, longest, and most famous literary composition in Old Spanish is the Cantar de mio Cid (c. 1140–1207).
To this typical progression other transition chords can be added. For example, D7 is often used in the transition to G Major. A minor often appears in guitar interludes (or even during the singing, as in the case of the Malagueña del Mellizo). These chords can also be transported by using a capo on the guitar, maintaining the same chord positions.
The Cambridge Introduction to Spanish Poetry: Spain & Spanish America. (2002). Linda Fish Compton. Andalusian Lyric poetry and Old Spanish Love Songs (1976) (includes translations of some of the medieval anthology of love poems, compiled by Ibn Sana al-Mulk, the Dar al-tiraz). Emilio Garcia Gomez. (Ed.)
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
Palos of flamenco. The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise – a iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1]
De colores" ([Made] of Colors) is a traditional Spanish language folk song that is well known throughout the Spanish-speaking world. [1] It is widely used in the Catholic Cursillo movement and related communities such as the Great Banquet, Chrysalis Flight, Tres Días, Walk to Emmaus, and Kairos Prison Ministry.
Malagueña" (Spanish pronunciation: [malaˈɣeɲa], from Málaga) is a song by Cuban composer Ernesto Lecuona. It was originally the sixth movement of Lecuona's Suite Andalucía (1933), to which he added lyrics in Spanish.
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